Recently, Lee Turner shared a technique had developed for creating a dramatic of the aging of metal and wood. Dissimilar materials respond differently to environmental factors. Wood versus metal produces different patinas that create an interesting appearance. Lee has been working on this approach to create this appearance.
An involved painting project like this needs some color photos to work from. That way you see what the end goal looks like and you can try different techniques to achieve it. if you keep working the paint in small layers it is possible. Here is an image from a book that shows what the inspiration was. Since the build of this old resin car wasn’t perfect it was an excellent candidate for experimental techniques to lure the eye away from the less than perfect areas
After completing construction of the car it was primed with Tamiya Fine Surface Primer in a spray can to give a solid base for the work to come. After the primer dried a dark rusty brown was sprayed over all metallic parts of the carbody not paying any attention to keeping it off the wood siding. It was sealed for future weathering with Krylon Clear Flat.
For coloring the wood a range of red and earth tone colors were chosen from the craft paint aisle at Michael’s Craft store along with some plastic six pot trays. Four red shades and two earth tone colors were put in the tray with a drop of “wet water” to keep them from drying out. Individual siding boards were painted one at a time mixing the shades of browns and reds for each board. The craft paints are a little transparent but the dark brown overspray gave even more variety to the individual boards. Remember, except for partial board repairs the boards run from end sheet to door post so the color should stay consistent for each. The side door was done in the same fashion just with wood colors as if a different species of wood shed all the paint off.
The lettering was faded by using 800 grit sandpaper to fade the decals while on the carrier sheet. The decal is then covered with Microscale Liquid decal film to hold it together. This makes them very fragile and they must be handled carefully After applications of setting solution a dark brown wash was applied to the lettering and blended so that the white wasn’t so bright. A fine tip brush and all the base colors fixed any areas that didn’t look right.
A light blue gray was drybrushed over all metal components to get an old rust look where it actually starts to look bluish gray from sky reflection.
Here are a couple shots of an Intermountain USRA composite gondola. The same treatment was applied to this model.
One thing that has amazed me about Lee is his ability to visualize the color and effect and apply it to the model. His photography always has little surprises. A lot can be learned by studying his methods. Lee has been very generous in sharing his work and his techniques used to create the look.
Thank you again for making us a better modeler.